I'm talking about the more important “Should you write a premise pilot?” dilemma? Last week I discussed the pros and cons of premise pilots vs. typical episode-pilots.
Bill Taub submitted a comment that’s worth re-posting and discussing. First off, Bill Taub is a terrific writer. His credits range from comedies like BARNEY MILLER and NEWHART to dramas like HILL STREET BLUES and DALLAS.
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